When Reba Mcentire returned to television recently as the star of NBC’s Happy’s Place, I was immediately excited. Many fans of the singer and actress, myself included, found that this new comedy has the same mix of humor and sincerity that made Reba, her popular sitcom from 2001 to 2007, so beloved. It is no accident that the new series, where Reba’s character Bobbie McAllister takes over her father’s bar and has to run it with a half-sister she never knew, keeps the strengths of the old show. The series was not only co-created by Reba showrunner Kevin Abbott, but it actually started as an idea for a Reba reboot.
Abbott shared how they worked on a reboot for about a year. The old team got together and talked about where the characters would be now. They came up with a full pitch. All the previous actors had agreed to be in it. They went to Disney, who owned the rights to the Reba show, and Disney really liked the idea. Then Abbott and McEntire got the news that Disney, which was changing a lot after buying Fox, was not going to move forward with the project. Abbott felt pretty grumpy about it, as he put it, but McEntire suggested they simply change direction and make a different show. Abbott’s wife Julie gave him the idea of McEntire taking over her dad’s bar and that is how Happy’s Place came to be. This story really shows Reba’s ability to turn a setback into a new opportunity.
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Just like their earlier work together, McEntire and Abbott looked to classic TV shows for ideas. McEntire mentioned that they pretty much just carried over what they did on Reba. She explained that Kevin always made sure they were laughing. The writing was clever and a bit sassy. But about three-quarters into the show there was always a serious, relatable moment for everyone. They learned this from The Andy Griffith Show and brought it into Happy’s Place. McEntire believes we need to laugh and we need to cry but if we do it together we become stronger. This balance is something I really appreciate about her shows. It keeps them from being just silly and gives them a lasting feeling.
Glenda Rovello, the production designer, saw this tone as her main guide for setting up the show. She said that Kevin and Reba were very clear that the show needed to have warmth and a lot of human feeling. Since the show is set in Knoxville Tennessee Rovello included the University of Tennessee’s orange and white colors in the design. She also used local items to decorate the set. This gave the place a clear sense of location and family. She wanted the characters to clearly feel like they were from Knoxville and that is what they worked towards. This kind of attention to detail helps make the world of the show feel real and lived in.
Because so much of the series happens in the bar mentioned in the title making that set feel expressive and useful was very important. Rovello said that they really provide the space for the actors and they want to support the story. She wanted the bar to feel very real to touch. They used real materials. There is a lot of wood in that set. All the booths were custom made not pulled from a warehouse. She wanted it to have that real feel and be a place you would want to go to if you were in Knoxville. This focus on making the set feel like a real inviting place really comes across to viewers. It is not just a background but a character in itself.
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Gary Baum, the director of photography, also started his work by thinking about the characters. He created a nice cinematic visual style. He chose lenses designed to show the actors well and make people feel good about them. Baum stated that they try to keep it warm and light because that is what the show is about. He noted that one challenge in a multi-camera sitcom is making room for all the cameras without messing up the lighting. He explained that his lenses are specifically adjusted for him. They have a slight softening effect. Close-up shots have less background blur. This makes the show feel more like a single-camera production or even a movie. This careful visual approach helps make the show visually appealing while still serving the story and characters.
While Abbott praised Baum for his careful lighting and framing Baum prefers that viewers do not even notice what he is doing. He sees it as a bit of a balancing act between making the set and the people look good and telling the story without the camera work getting in the way. He believes that you are not supposed to notice the camera too much. You are supposed to just enjoy the show and go along for the ride. I completely agree with this idea. The best camera work is often the kind that you do not consciously notice because it is so well integrated into the storytelling. It helps the audience feel more connected to the characters and their world.
For McEntire, a key part of creating that enjoyable ride is filming Happy’s Place in front of a live studio audience. She feels that the audience gives the cast and crew energy to use. It also lets them know when a joke does not work and needs to be changed right away. McEntire loves the changes. She added that when you get great lines you can really get into them. McEntire shared that Abbott and the other writers often give the actors new material even when the performers think they are done. This is part of the fun for them. She said everyone is ready to play. This makes it comfortable and fun for everyone. It is never boring. This open and adaptable approach to making the show is probably why it feels so fresh and lively.
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Abbott credits the cast and crew for being flexible and talented enough to keep making the show better right up until the last moments before the live audience. He asked what the point of having an audience is if they are not entertained. He really likes this cast saying they just feel natural together. He also said that as much as it was not fun when the reboot was shut down he is glad it was because it brought them Happy’s Place. He sees it as a good thing to do a first season. Heading into the second season there are still many stories to tell.
Reba McEntire is also a very confident woman. She showed this during a Super Bowl celebration by posting a picture of herself in a stylish blue fur-textured coat and matching cowboy boots. She captioned it "Boots with the fur" referencing T-Pain's song. T-Pain himself noticed and completed the lyric in the comments. This interaction delighted fans. In an interview McEntire explained that she is proud to be herself when it comes to style. She said she does not like trends. She feels the younger generation is more confident than she was at their age and she is happy for them. She thinks it takes guts, stamina, and courage to be comfortable in your own skin. This is a message I think many people can appreciate and learn from.
McEntire often talks about how much she loves who she is. She said she is very proud of how old or young she is. For her, real beauty means being comfortable in your own skin. If you are confident and comfortable, you will feel beautiful. This self-acceptance is something that comes across in her performances and her public appearances. It is likely a big reason why she remains so well-liked by many. She is also still very active in the music world. She surprised fans by performing "Trailblazer" with Lainey Wilson and Miranda Lambert at the Nashville Rodeo. This shows her continued energy and willingness to share the spotlight.
Fans will also get a chance to immerse themselves in all things Reba at "The Reba House" at CMA Fest 2025. This ultimate tribute to one of country music’s most celebrated legends will feature her chair from The Voice, a recreation of Happy’s Place Tavern, and her wardrobe archives. Fans can even pre-order her latest album, "The Hits," which is a collection of her most popular songs. This shows that Reba is not just about the past. She is still very much a part of the present and future of entertainment. Her ability to keep herself fresh and relevant while staying true to who she is, is truly something to admire.