Adam Driver and Steven Soderbergh developed a post-Rise of Skywalker film for Ben Solo, but Disney said no. Now, fans are rallying to bring it back, sparking a galactic conversation.
TL;DR
- Adam Driver and Steven Soderbergh pitched The Hunt for Ben Solo to Disney, aiming to continue Ben Solo's story after The Rise of Skywalker.
- Lucasfilm leadership, including Kathleen Kennedy and Dave Filoni, approved the script, but Disney executives Bob Iger and Alan Bergman rejected it, citing Ben Solo's perceived death.
- Fans are campaigning fiercely for the project's revival, mirroring past successful fan efforts like #TheSnyderCut, demonstrating a strong desire for more sequel era content.
Imagine a plane flying over Disney Studios, not carrying tourists, but a banner screaming a message: "SAVE #THEHUNTFORBENSOLO." This wasn't a random stunt; it was a potent symbol of a fan movement ignited by a revelation from none other than Adam Driver himself. Just last month, Driver casually dropped a bombshell in an interview: he, alongside visionary director Steven Soderbergh, had spent two years crafting a Star Wars movie called The Hunt For Ben Solo.
This proposed project, set to follow the events of The Rise of Skywalker, aimed to explore the character's redemption and unresolved storylines. Driver's words immediately sent shockwaves through the fandom, with "missing" posters of his face, abundant GIFs of Ben Solo wielding his blue lightsaber, and passionate social media campaigns demanding its revival appearing everywhere. The collective cry echoed Luke's poignant line from The Last Jedi: "No-one's ever really gone."
A Creative Dream Team Behind the Scenes of a Lost Story in the Galaxy
This wasn't just a half-baked idea floating around. The core story for The Hunt for Ben Solo was developed by Driver, Soderbergh, and Soderbergh’s collaborator Rebecca Blunt. Following this, Scott Z. Burns, known for his incisive work on films like Contagion, penned the full script. This collaborative effort wasn't just a passion project for the actors and directors; it gained significant internal traction within Lucasfilm itself.
Key figures like Lucasfilm President Kathleen Kennedy, Vice-President Carrie Beck, and Chief Creative Officer Dave Filoni all gave the script their enthusiastic stamp of approval. Driver himself was incredibly passionate about the material, describing it as "one of the coolest [expletive] scripts I had ever been a part of." This internal support highlights the creative potential perceived by those closest to the Star Wars saga.
"It was one of the coolest [expletive] scripts I had ever been a part of."
— Adam Driver, on The Hunt for Ben Solo (via AP)
Why the Galactic Empire (A.K.A. Disney Executives) Said "No" to the Project
Despite Lucasfilm's backing and a finished script that had been two years in the making, the project hit a wall at the highest levels of Disney. CEO Bob Iger and Co-Chairman of Disney Entertainment Alan Bergman ultimately rejected The Hunt for Ben Solo. Their reasoning was straightforward: they "didn’t see how Ben Solo was alive" after his apparent death and self-sacrifice at the end of The Rise of Skywalker.
This executive decision led to the shelving of a project that had already seen an investment of approximately $3 million. Steven Soderbergh, while promoting his latest film, expressed his regret for fans, stating, "I really enjoyed making the movie in my head. I’m just sorry the fans won’t get to see it."
Even Rian Johnson Wants to See Adam Driver Back in the Galaxy Far, Far Away
The director behind The Last Jedi, Rian Johnson, who played a significant role in shaping Ben Solo's complex character, has also weighed in on the situation. While promoting his upcoming film, Wake Up Dead Man: A Knives Out Mystery, Johnson confirmed he's still on good terms with Lucasfilm, though his own planned Star Wars trilogy is currently on the "back burner."
Regarding The Hunt for Ben Solo, Johnson admitted he has "no idea what happened with any of that" concerning the project's approval and subsequent cancellation. However, his personal sentiment was clear and echoed many fans: "I want to see Adam in another Star Wars movie." This further highlights the industry's desire to see Driver reprise the role, even from those not directly involved in the project's development.
Navigating the Great Divide: The Question of Ben Solo's Cinematic Return
Disney's concern about Ben Solo's survival is a valid narrative point, given his definitive sacrifice in The Rise of Skywalker. He gave his life force to Rey and was last seen falling into an abyss, his death felt across the Force. This moment was intended to be the symbolic, poignant end of the Skywalker bloodline in the main saga.
However, the Star Wars universe has a long history of characters defying apparent deaths or returning in mystical ways. Fans and writers have proposed creative solutions to reconcile Ben's return with established lore without cheapening the stakes. One popular idea is to leverage the mysterious "Force Dyad" power that uniquely bound Rey and Kylo Ren. This would frame his return as a "once-in-a-galaxy occurrence," rather than a simple resurrection, preserving the uniqueness of the bond.
Another concept, though less direct for immediate revival, involves the "World Between Worlds," a nexus where all time exists. While typically for knowledge and wisdom, not resurrection, it could offer a mystical avenue for interaction. Some fan theories also suggest Leia's final moments of becoming one with the Force could have empowered her son, offering him a "barest rekindling of his life essence." These discussions show there are narrative pathways that respect the stakes while still bringing Ben Solo back into the fold.
Addressing the Sequel Era's Fandom: More Than Just Critics are Speaking Out
It’s easy to focus on the divisive discourse that sometimes surrounds the Star Wars sequel trilogy. However, the facts speak volumes: these films were gigantic hits, seen by millions globally. Kylo Ren's complex journey from dark side villain to redeemed Ben Solo resonated deeply with a vast audience, becoming a central pillar of the sequel narrative. The outpouring of support for The Hunt for Ben Solo isn't just from a niche group; it spans "all corners of the Star Wars fandom," suggesting a broader re-appreciation of the era.
This renewed interest signifies that, whatever initial criticisms existed, a significant portion of the audience cherishes these characters and their stories. The massive box office success of the sequels upon their release underlines that, despite online debates, millions formed a connection with the newer generation of heroes and villains.
The Unstoppable Force of Fan Campaigns: History Repeats Itself in EntertainmentThe fervent fan campaign around The Hunt for Ben Solo isn't new territory for popular culture; we've seen similar movements succeed, proving that audience passion can sometimes sway corporate decisions. For example, sustained fan clamoring played a significant role in getting Ryan Reynolds the green light to properly portray Deadpool, leading to a franchise that grossed nearly $3 billion. Similarly, fans successfully pushed Warner Bros. to invest an additional $70 million to realize Zack Snyder's Justice League.
Example: Imagine a fan, Sarah, who loved Kylo Ren's arc but felt his ending in The Rise of Skywalker was abrupt and left too many questions unanswered. Inspired by Driver's revelation, she doesn't just post a single tweet; she joins online forums dedicated to the topic, creates custom "Missing: Ben Solo" digital art, and rallies her friends to use the #TheHuntForBenSolo hashtag daily. Her small actions, multiplied by thousands of dedicated fans like her, create a visible, undeniable surge of interest that studios eventually find difficult to ignore, demonstrating a tangible market demand.
A "Sequel Revival" on the Horizon for the Star Wars Galaxy?It's been six years since The Rise of Skywalker concluded the Skywalker Saga, and a decade since The Force Awakens revitalized the cinematic side of Star Wars. The saga often works in generational cycles, re-engaging with new audiences as time passes. With Daisy Ridley's confirmed return as Rey to rebuild the Jedi Order in an upcoming film, and Shawn Levy's Star Wars: Starfighter reportedly set five years post-The Rise of Skywalker for a May 28, 2027 release, the franchise appears to be looking to its future again.
A Ben Solo project would perfectly crest this wave of sequel re-appreciation and provide a strong, character-driven bridge to Rey's new era. The timing feels right for Lucasfilm to revisit these characters and explore what comes next, leveraging the nostalgic glow now settling on the sequel trilogy for a generation who grew up with it.
What Else is Cooking in the Galaxy Far, Far Away for Fans of Kylo Ren?While The Hunt for Ben Solo remains in limbo, it's worth noting that new Kylo Ren content is available for fans right now. Marvel Comics is currently publishing the ongoing and canonical series Legacy of Vader. This series explores Kylo Ren's journey between The Last Jedi and The Rise of Skywalker, detailing his search for knowledge about his grandfather across iconic worlds like Mustafar, Tatooine, and Naboo.
The comic delves deeper into the Knights of Ren and the intricate Force dyad connection between Kylo Ren and Rey, offering new insights into his complex character ahead of his ultimate redemption. This provides a valuable, canon-compliant way for fans to engage with the character's story and themes while awaiting any potential film news.
The Trade-offs of Risk and Reward for Disney's Star Wars Future DecisionsFor Disney, the decision to greenlight or reject a project like The Hunt for Ben Solo involves a delicate balance of factors. On one hand, reviving a character whose death was pivotal could be seen as undermining narrative stakes and potentially alienating a segment of the audience who appreciate definitive endings. It risks cheapening the emotional impact of past sacrifices if not handled with exceptional care and creativity.
On the other hand, the intense, widespread fan demand, the involvement of high-caliber talent like Driver and Soderbergh, and the potential for a compelling redemption arc present a significant opportunity. The prior $3 million investment also represents a sunk cost that could be recouped and expanded upon if the project were revived. Given the current "sequel revival" momentum and the success of past fan campaigns, the potential reward of satisfying a passionate fanbase and exploring rich narrative territory might outweigh the perceived risks.
FAQ: Your Burning Questions About The Hunt for Ben Solo Answered What was The Hunt for Ben Solo about? This proposed Star Wars film, conceived by Adam Driver and Steven Soderbergh, would have been set after The Rise of Skywalker and aimed to delve deeper into Ben Solo's redemption arc and unresolved storylines. Why was The Hunt for Ben Solo canceled by Disney? Disney executives Bob Iger and Alan Bergman reportedly rejected the project because they "didn’t see how Ben Solo was alive" after his sacrifice at the end of The Rise of Skywalker. Is there any chance Adam Driver will return as Ben Solo in a new film? While the film was officially "no more," the overwhelming fan reaction and expressions of interest from Adam Driver, Steven Soderbergh, and Rian Johnson suggest that public and creative desire for his return is strong. Fan campaigns have a history of influencing studio decisions. Are there other ways to experience new Ben Solo/Kylo Ren stories right now? Yes! Marvel Comics is currently publishing the canonical Legacy of Vader series, which explores Kylo Ren's journey between The Last Jedi and The Rise of Skywalker, offering new insights into his character and the Force dyad. Sources- AP: "Adam Driver was developing a Star Wars movie with Steven Soderbergh… but Disney said no," Posted 3 weeks ago, Last Updated on November 3, 2025.
- JoBlo: "Steven Soderbergh confirms The Hunt for Ben Solo had a finished script when Disney rejected it," Posted 2 weeks ago, Last Updated on November 3, 2025.
- ScreenRant: "Disney Rejected Adam Driver and Lucasfilm's Pitch For The Hunt For Ben Solo," Accessed November 3, 2025.
- Collider: "The Hunt for Ben Solo, the proposed Star Wars sequel trilogy follow-up film, is still a hot topic," Accessed November 3, 2025.
- Empire Magazine: "The Hunt For Ben Solo Reaction Is The Start Of The Star Wars Sequel Revival," Published on 3rd November 2025 at 5.56pm.
- Keep the conversation going: Fan campaigns have a proven track record; continue expressing interest in The Hunt for Ben Solo and the sequel era on social media and other platforms.
- Explore current canon: Dive into Marvel's Legacy of Vader comics for new, canonical insights into Kylo Ren's journey between Episodes VIII and IX.
- Anticipate the sequel era's return: With Daisy Ridley's Rey film and Starfighter on the horizon, the post-Rise of Skywalker period is still a focus for Lucasfilm, suggesting potential for familiar faces.
- Support creative talent: Show enthusiasm for Adam Driver, Steven Soderbergh, and Scott Z. Burns's other projects to signal appreciation for their vision, which could encourage future collaborations.